leo me and mia

Fabiana:ti voglio bene...è ttt qll k riesco a dirti xk ttt qll k mi frulla nella testa nn potrei mai dirtelo nè scriverlo.. grazie xk cn la tua simpatia,la tua gioia,i tuoi pianti.. mi rendi unika.. tesò ti amo di bene... Francesco:amore mio.. ank se 6 a napoli.. ti amo di bene e t ringrazio xk è proprio grazie a qst anno k t ho potuto conoscere e scoprire qnt 6 dolce,tenero e simpatico.. se gg sn arrivata a chiamarti tesoro mio,amore mio e se sn arrivata a dirti ti amo di bene è xk c tengo davvero a te.. grazie di ttt... vero roby?!?!?!?!?!?!voglio sl dirti k ti amo!!tantissimissimissimooooooooooooooooooooo e voglio ringraziarti x ttt qll k fai x me e x ttt il bene k mi vuoi.. so k nn è facile sopportarmi ma tu lo fai.. grazie amò... ciao amore,stavo leggendo x caso i tuoi interventi e ho visto ke mi hai inclusa tra le xsone speciali ke fanno parte della tua vita,mi ha colpito molto ,nn immaginavo.. mi disp aviate d averlo letto in ritardo e di nn averti ringraziata d persona quando eri ancora qui! spero d vederti presto,c terrei davvero tanto.. tvttttttttttttttttttb!!! ciau piccolina! weeeeeeee amore della mia vitaaaaaaaaaa... lo sai k t amo.. si k lo sai 6 la mia giraffaaaaaaaaaaaaaaaaaaaaaa.. grazie di tuttooooooooooooooo... w la telecom e la palla gialla mooooooooooooooorbidaaa... la TUA *scimmietta* roby...!!! tesorino mio!! grazie 1000 x qll k  haidetto su di me!!! certo k su di me puoi sempre contare!!!!!!!!!!!!!!!!!!il 2007 x me nn è stato uno dei migliori anni.. xò insieme abbiamo trascorso dei momenti stupendi.. cm tt le giornate in piscina,o sulla platform,o qnd siamo andate sotto casa di salvatore e abbiamo incontrato i genitori. o qll bellissime serate sopra px.. grazie di tt tesò!!! ti amo tantissimo di bene xs!! amore.. ank se abbiamo divorziato ti amo lo stesso!k attach il commentmio communicate!!k nbello mi ha pensata!!!!!cmq. grazie x questo 2007. magico.. indimenticabile.. semplicemente perfetto. hai reso tute le mie giornate un pizzico + felici,piu speciali.. ti amo di bene e nel 2008 avrai tutta la felicità k non hai avuto nel 2007!!!

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nn preok.. anno nuovo vita nuova.. ma noi k siamo i pilastri della tua vita saremo smp li acc a te... tesò tattttttttttdbxsmp.. sn contenta di aver traskorso 7 mesi... STUPENDIII.. ma bella. nn saranno sl qst. c'e ne saranno moltix altri sarà un altro anno stupendo e fantastiko(cm te dal tronde!!) k passeremo insieme,cn tt le  cazzate  e i nst diakoghi.. va be dai. nn voglio fare tt il diskorsetto. tanto sai k io TI VOGLIO UN KASINO DI BENE!!!! bè teso. ankora auguri.. e spero k sia felice. e k anke nel campo dell'amore vada bn...

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Cette chanson traîte des troubles du comportementalimentaire. L'héroïne de cette histoire est "moi" atteinte de boulimie et son amie "Ann" est atteinte d'anorexie. Les abréviations "ana" et "mia" ont été écrites avec une majuscule car les personnes atteintes de ces maladies ont tendance à les personnifier."Moi" se promène dans la rue est malgré un temps clément elle a froid car elle n'a pas mangé et donc elle ne ressemble qu'à une "half-person" que j'aurais pû également traduire par "zombie" mais elle se sent super bien car elle n'a rien mangé. Ces deux amies entre elles se rappellent que leur but premier est d'avoir un contrôle total sur la nourriture. Ensemble elle se sentent fortes leur *égo vole sous la bannière* parce qu'elles se sentent légères. Pour le moment ce n'est que le début de leurs maladies elles se sentent bien. Puis ensuite judge va mal de jours comme de nuits mais malgré tout elles continuent elles ne peuvent plus s'arrêter. Elles souhaitent même disparaître mais ni les docteurs ni leurs parents et le milieu bourgeois dans lequel elles vivent ne les autorisent. (A l'origine les troubles du comportement alimentaire étaient plus fréquents chez les familles aisées. ) Elles frôlent la mort à cause de leur dépendance (la boulimie et l'anorexie sont considérées comme des toxicomanies sans drogue) combattent la nourriture pour atteindre la transcendence (extérieur du domaine où l'on se place et d'une autre nature [terme philosophique]). Leur vie devient un contend contre la mort elles meurent plus qu'elle ne vivent prennent des amphétamines et fument pour se donner de l'énergie (mais aussi pour augmenter leur métabolisme et perdre plus bespeak et plus vite). Elle consomment des somnifères car elles sont devenues insomniaques. Elles déperissent à create de tout ça. La dernière phrase explique la différence entre les troubles de comportements alimentaires et des grèves de la faim. Les grèvistes de la faim se laissent mourir pour une cause alors qu'elles n'en ont pas à moins que la mort (ou plutôt le suicide ? ! ) soit leur cause. les consignes de rédaction de ces explications sont en total agree avec le droit d'auteur. Cependant il peut arriver qu'un membre dépasse les consignes et par conséquent la loi française. Dans ce cas merci de m'en par mail je pourrais ainsi corriger simplement le texte. Sachez que tout est mis en oeuvre displace suivre le do work des membres mais que cela n'empêche pas quelques écarts. Le but étant de donner les clés de chaque texte permettant à chaque visiteur de comprendre l'essence de la chanson.

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I’m beginning to get the impression that as a New Yorker. I’m really spoiled when it comes to opportunities to comprehend music. The multi-million dollar reno-venue Terminal 5 whose October opening was announced over at the other day marks the latest in a turn of new venues this year which includes the Highline Ballroom and the Music Hall of Williamsburg. Unfortunately the recent passings of Sin-e,Tonic and of cover. CBGB suggest that maintaining a venue is far from easy but in an industry where the ship is apparently sinking the aggressive expansion of be music is comfort promising. Boxer is a massively hyped album and as far as I’m concerned come up deserving of each snippet of appraise. But for New Yorkers not content with this October 11th show – not to have in mind the bind’s five-night be at the Bowery Ballroom in May – the National is playing a free show at the tonight a part of the River to River festival that’s been happening all pass desire. Unfortunately my largely forgettable be upstate prevented me from catching most of the June and July events aside from but it seems that August ordain balance. Last pass was a fantastic go away; although not quite as excessive as the weekend before. Unfortunately I’m still camera-less and these photos are taken with gratitude from various ites. Thanks! I arrived unfashionably early to the Seaport on a drizzly Friday evening although I must say both the unsummery weather and the relatively sparse crowd was a nice dress of pace. DJ … of the Fun parties at Studio B spun for a good half-hour before the first set and his material included these contemporary classics in some create or another. MP3: MP3: MP3: In retrospect. Metronomy was a very allot opener for Au Revoir Simone. The UK trio (“alter at domiciliate” in the soften weather) played a similarly synth-based set as well as relying on guitar and bass. The three band members wore black shirts with large round lights attached although one of them broke (“not to mind they're only a hit”). The band gave a strikingly abstract performance for the majority of the set hooting like apes on "Are Mums Mates" and striking matching poses at times. However. “Heartbreaker” featured frontman Joseph attach's world-weary delivery and despite the unoriginality of the subject be it provided a nice straightforward pop song. Metronomy was solid and I be send to investigating their studio material. MySpace: There’s an undeniable charm surrounding Au Revoir Simone and from the first chords of sleepy opener “The Lucky One” to outro "The Way To There" a sort of aural sunlight permeated the Seaport. The trio’s arrange of synths and go machines created gentle borderline danceable washes with many of the songs featuring at least some foundation of breakbeat. Unfortunately the bind played for less than an hour and despite their penchant for crafting achingly pretty melodies. I would undergo been happy to trade some of the slower inclusions particularly in the middle of the set for more lively numbers. “Night Majestic” and “Stars,” which I'd consider as some of their strongest songs were strangely omitted. I was a little more fond of their slightly more hint set at measure year but personal preference aside this is really a gem of a assort. Au Revoir Simone plays at the on September 8th. MP3: MP3: Official Site: After taking Saturday to recuperate. Sunday marked my long awaited return to Brooklyn. Bedford Avenue is looking more and more desire home with every move on the L instruct I take but it was my first time at McCarren Pool. I wasn't really prepared for the massive place (with a booming sound system to match) and there was a traumatic flashback to other free shows when I saw how long the lie was to get in. But apparently our efforts to RSVP were unnecessary because it moved quickly and getting in wasn't a problem. We did desire but I'd say we got our money's worth nonetheless. The Thermals played a set that was pretty indistinguishable from their Kimmel one but I'm not sure if the implications are entirely positive or contradict. This band is loud rocks hard and has a political message that's intellectual and personal but there's an unfortunate be of homogeneity to their shows. I think of their performance as a plateau: although the energy level is high throughout the set the lack of peaks and valleys flattens the experience and prevents any really defining moments. I suppose the moments that stood out were the two songs when the guitar wasn't monopolizing my ears an early bring in and a late song that I'm pretty sure was a adjoin. Now. I really do respect this bind and my head was bobbing for the majority of their measure onstage but I evaluate seeing them twice is plenty at least until the next album. MP3: Official Site: Ted Leo is simply one of the greatest frontmen in indie rock. While also political in nature his canny comprehend of storytelling and tight lyricism often obscures the communicate but at the same time greatly enhances your appreciation of the song. His band was loud but his wiry voice cut through the mix and his inter-song bait was great. As usual. I've listened to a disproportional amount of one album in this case move The Sheets and those songs were subsequently some of my favorites. "Me and Mia" was an anthemic early bring out and "Little begin," as I'm sure you've heard featured a snippet of the ubiquitous Daft Punk's "One More Time" during the outro. I'm ashamed to say that I haven't heard Living With The Living in its entirety yet and while "Sons of Cain" was a nice opener. I find "Bomb. Repeat. Bomb." a little too noisy and simplistic. Anyways. I'll try to get to it eventually. Major kudos to bassist Dave Lerner who played his final show with the bind and Ted returns to NYC via on December 5th. MP3: MP3: Official Site: Now if you'll excuse me. I have to head down to the Seaport... This is a communicate born of passion for music writing and random tangents. All music posted is for sampling purpose only and is simply an attempt to move the evince about artists that we apply. However if you or the artist you represent undergo any problems with anything please communicate me. If you see anything you'd like uploaded again also drop me a lie or get a comment. I'm also always open to recommendations. Thanks for stopping by and enjoy!

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I’m beginning to get the impression that as a New Yorker. I’m really spoiled when it comes to opportunities to comprehend music. The multi-million dollar reno-venue Terminal 5 whose October opening was announced over at the other day marks the latest in a slew of new venues this year which includes the Highline Ballroom and the Music Hall of Williamsburg. Unfortunately the recent passings of Sin-e,Tonic and of course. CBGB declare that maintaining a venue is far from easy but in an industry where the ship is apparently sinking the aggressive expansion of live music is still promising. Boxer is a massively hyped album and as far as I’m concerned come up deserving of each snippet of praise. But for New Yorkers not content with this October 11th show – not to have in mind the band’s five-night stay at the Bowery Ballroom in May – the National is playing a free show at the tonight a move of the River to River festival that’s been happening all pass long. Unfortunately my largely forgettable stay upstate prevented me from catching most of the June and July events aside from but it seems that August will compensate. Last weekend was a fantastic start; although not quite as excessive as the weekend before. Unfortunately I’m still camera-less and these photos are taken with gratitude from various ites. Thanks! I arrived unfashionably early to the Seaport on a drizzly Friday evening although I must say both the unsummery weather and the relatively sparse crowd was a nice dress of walk. DJ … of the Fun parties at Studio B spun for a good half-hour before the first set and his material included these contemporary classics in some form or another. MP3: MP3: MP3: In retrospect. Metronomy was a very appropriate opener for Au Revoir Simone. The UK trio (“right at domiciliate” in the damp weather) played a similarly synth-based set as come up as relying on guitar and bass. The three band members wore black shirts with large round lights attached although one of them broke (“not to worry they're only a pound”). The band gave a strikingly abstract performance for the majority of the set hooting like apes on "Are Mums Mates" and striking matching poses at times. However. “Heartbreaker” featured frontman Joseph Mount's world-weary delivery and despite the unoriginality of the subject matter it provided a nice straightforward pop song. Metronomy was solid and I be forward to investigating their studio material. MySpace: There’s an undeniable charm surrounding Au Revoir Simone and from the first chords of sleepy opener “The Lucky One” to outro "The Way To There" a choose of aural sunlight permeated the Seaport. The trio’s array of synths and go machines created gentle borderline danceable washes with many of the songs featuring at least some foundation of breakbeat. Unfortunately the band played for less than an hour and despite their penchant for crafting achingly pretty melodies. I would undergo been happy to change some of the slower inclusions particularly in the middle of the set for more lively numbers. “Night Majestic” and “Stars,” which I'd believe as some of their strongest songs were strangely omitted. I was a little more fond of their slightly more hint set at measure year but personal preference aside this is really a gem of a assort. Au Revoir Simone plays at the on September 8th. MP3: MP3: Official place: After taking Saturday to acquire. Sunday marked my long awaited go to Brooklyn. Bedford Avenue is looking more and more like domiciliate with every move on the L Train I act but it was my first time at McCarren Pool. I wasn't really prepared for the massive place (with a booming sound system to match) and there was a traumatic flashback to other remove shows when I saw how long the line was to get in. But apparently our efforts to RSVP were unnecessary because it moved quickly and getting in wasn't a problem. We did miss but I'd say we got our money's worth nonetheless. The Thermals played a set that was pretty indistinguishable from their Kimmel one but I'm not sure if the implications are entirely positive or negative. This band is loud rocks hard and has a political communicate that's intellectual and personal but there's an unfortunate amount of homogeneity to their shows. I think of their performance as a plateau: although the energy level is high throughout the set the lack of peaks and valleys flattens the experience and prevents any really defining moments. I suppose the moments that stood out were the two songs when the guitar wasn't monopolizing my ears an early bring in and a late song that I'm pretty sure was a adjoin. Now. I really do consider this band and my head was bobbing for the majority of their time onstage but I think seeing them twice is plenty at least until the next album. MP3: Official place: Ted Leo is simply one of the greatest frontmen in indie rock. While also political in nature his canny comprehend of storytelling and tight lyricism often obscures the communicate but at the same measure greatly enhances your appreciation of the song. His bind was loud but his wiry voice cut through the mix and his inter-song bait was great. As usual. I've listened to a disproportional be of one album in this case move The Sheets and those songs were subsequently some of my favorites. "Me and Mia" was an anthemic early bring out and "Little Dawn," as I'm sure you've heard featured a snippet of the ubiquitous Daft Punk's "One More measure" during the outro. I'm ashamed to say that I haven't heard Living With The Living in its entirety yet and while "Sons of Cain" was a nice opener. I find "assail. Repeat. assail." a little too noisy and simplistic. Anyways. I'll try to get to it eventually. study kudos to bassist Dave Lerner who played his final show with the band and Ted returns to NYC via on December 5th. MP3: MP3: Official place: Now if you'll excuse me. I undergo to continue down to the Seaport... This is a blog born of passion for music writing and random tangents. All music posted is for sampling intend only and is simply an act to spread the word about artists that we enjoy. However if you or the artist you represent have any problems with anything gratify communicate me. If you see anything you'd like uploaded again also displace me a line or get a comment. I'm also always open to recommendations. Thanks for stopping by and enjoy!

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http://udrivel.blogspot.com/2007/08/interlude-weekend-month-in-city.html

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I’m beginning to get the impression that as a New Yorker. I’m really spoiled when it comes to opportunities to comprehend music. The multi-million dollar reno-venue Terminal 5 whose October opening was announced over at the other day marks the latest in a slew of new venues this year which includes the Highline Ballroom and the Music Hall of Williamsburg. Unfortunately the recent passings of Sin-e,Tonic and of course. CBGB suggest that maintaining a venue is far from easy but in an industry where the ship is apparently sinking the aggressive expansion of be music is still promising. Boxer is a massively hyped album and as far as I’m concerned well deserving of each snippet of appraise. But for New Yorkers not circumscribe with this October 11th show – not to have in mind the bind’s five-night stay at the Bowery Ballroom in May – the National is playing a remove show at the tonight a part of the River to River festival that’s been happening all pass long. Unfortunately my largely forgettable stay upstate prevented me from catching most of the June and July events aside from but it seems that August will compensate. measure weekend was a fantastic start; although not quite as excessive as the weekend before. Unfortunately I’m comfort camera-less and these photos are taken with gratitude from various ites. Thanks! I arrived unfashionably early to the Seaport on a drizzly Friday evening although I must say both the unsummery weather and the relatively sparse displace was a nice change of walk. DJ … of the Fun parties at Studio B spun for a good half-hour before the first set and his material included these contemporary classics in some form or another. MP3: MP3: MP3: In remember. Metronomy was a very appropriate opener for Au Revoir Simone. The UK trio (“alter at home” in the damp weather) played a similarly synth-based set as well as relying on guitar and bass. The three band members wore black shirts with large round lights attached although one of them broke (“not to worry they're only a pound”). The band gave a strikingly consider performance for the majority of the set hooting like apes on "Are Mums Mates" and striking matching poses at times. However. “Heartbreaker” featured frontman Joseph Mount's world-weary delivery and despite the unoriginality of the subject be it provided a nice straightforward pop song. Metronomy was solid and I be forward to investigating their studio material. MySpace: There’s an undeniable charm surrounding Au Revoir Simone and from the first chords of sleepy opener “The Lucky One” to outro "The Way To There" a choose of aural sunlight permeated the Seaport. The trio’s arrange of synths and drum machines created gentle borderline danceable washes with many of the songs featuring at least some foundation of breakbeat. Unfortunately the band played for less than an hour and despite their penchant for crafting achingly pretty melodies. I would have been happy to change some of the slower inclusions particularly in the middle of the set for more lively numbers. “Night Majestic” and “Stars,” which I'd consider as some of their strongest songs were strangely omitted. I was a little more fond of their slightly more intimate set at last year but personal preference aside this is really a gem of a assort. Au Revoir Simone plays at the on September 8th. MP3: MP3: Official place: After taking Saturday to recuperate. Sunday marked my desire awaited return to Brooklyn. Bedford Avenue is looking more and more desire home with every move on the L Train I take but it was my first time at McCarren Pool. I wasn't really prepared for the massive displace (with a booming sound system to be) and there was a traumatic flashback to other free shows when I saw how long the line was to get in. But apparently our efforts to RSVP were unnecessary because it moved quickly and getting in wasn't a problem. We did miss but I'd say we got our money's worth nonetheless. The Thermals played a set that was pretty indistinguishable from their Kimmel one but I'm not sure if the implications are entirely positive or contradict. This band is loud rocks hard and has a political communicate that's intellectual and personal but there's an unfortunate be of homogeneity to their shows. I think of their performance as a plateau: although the energy level is high throughout the set the lack of peaks and valleys flattens the undergo and prevents any really defining moments. I suppose the moments that stood out were the two songs when the guitar wasn't monopolizing my ears an early track and a late song that I'm pretty sure was a adjoin. Now. I really do consider this bind and my continue was bobbing for the majority of their time onstage but I evaluate seeing them twice is plenty at least until the next album. MP3: Official place: Ted Leo is simply one of the greatest frontmen in indie rock. While also political in nature his canny sense of storytelling and tight lyricism often obscures the communicate but at the same time greatly enhances your appreciation of the song. His band was loud but his wiry express cut through the mix and his inter-song banter was great. As usual. I've listened to a disproportional be of one album in this inspect move The Sheets and those songs were subsequently some of my favorites. "Me and Mia" was an anthemic early highlight and "Little begin," as I'm sure you've heard featured a snippet of the ubiquitous Daft Punk's "One More Time" during the outro. I'm ashamed to say that I haven't heard Living With The Living in its entirety yet and while "Sons of Cain" was a nice opener. I sight "Bomb. tell. assail." a little too noisy and simplistic. Anyways. I'll try to get to it eventually. Major kudos to bassist Dave Lerner who played his final show with the bind and Ted returns to NYC via on December 5th. MP3: MP3: Official Site: Now if you'll excuse me. I undergo to head down to the Seaport... This is a blog born of passion for music writing and random tangents. All music posted is for sampling purpose only and is simply an attempt to spread the word about artists that we apply. However if you or the artist you represent have any problems with anything gratify contact me. If you see anything you'd like uploaded again also displace me a line or leave a comment. I'm also always change state to recommendations. Thanks for stopping by and enjoy!

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has anyone ever been to songmeanings com and looked at the posts for the song Me and mia - ted leo and the pharmacists? people either choose of get it or are SO far off it's ridiculous! and they're all so confident in their responses.. like they undergo ANY idea what the mentality is w/ an ED.. i dunno i evaluate it's funny for populate to be so presumptuous does that make me horrible? it's actually songmeanings netand WOW they are so far off some populate are so ignorant someone said it was about democracy? wtf :/

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